We are exhibiting at Screwfix Live 2024
27th - 29th September
27th - 29th September
The consultancy, with years of experience in recording studio design, build and acoustics, have tried many different fixing methods for acoustic panels and found nothing came close to the efficiency and ease of Button-fix.
It is always pleasing to get unsolicited feedback from happy users of our Button-fix panel fixings. When Ben Claridge, one of the directors of Acoustic Structures, contacted us we were excited to share this video walk-through of a recording studio project his practice had recently completed. All the acoustic panels and many of the joinery items were secretly mounted using Type 1 Button-fix.
9M Studios is a family owned, state of the art recording studio in South London. It features three control rooms surrounding an impressive multi-purpose Live Room, which can be used for: tracking, producing, rehearsing, song writing, voiceovers, music videos, filmed live sessions, promotional videos and many other possibilities.
Ben commented “this is a message from out of the ether to say how much we love Button-fix. We hang all our acoustic panels with them ...and pretty much anything else given the opportunity” and added that it is a "great simple design."
“We love Button-fix. We hang all our acoustic panels with them ...and pretty much anything else given the opportunity” Ben Claridge, Acoustic Structures
Wudl is an architectural-led sustainable home manufacturer based in Manchester. They design and build modular engineered timber frame panels using natural insulation such as sheep’s wool and wood fibre. Their founder, Ric Frankland, describes their latest project and how it benefitted from Button-fix.
These case studies show how Button-fix was used in different ways to create easy to install, adaptable environments for audio professionals.
"Button-fix inspires confidence as a fitter." We listen to cabinet makers who use Type 1 Flush for their made to measure furniture and hear their experience on a recent kitchen fit-out.
